Double dipping. The phrase means different things depending on the context and the situation. It’s a faux pas, committed at the snacks’ table in the break room. In business and finance it is a frowned upon practice, usually considered unethical, in which a person or corporation games the system in their favor by, for example, writing off the same business expense in two different tax categories for a double deduction. And in gaming, it is the curious practice of paying for the same game twice on two different gaming platforms.
It is a personal choice, and unlike the other examples listed above, it is a victimless crime. But it still draws the ire of people. Even when there’s a legitimate reason, like having groups of gaming friends on two different systems for the same multiplayer game, someone will shame you for it. The internet loves to shame.
I personally try to avoid double dipping, but on occasion I can justify it. Sometimes a great sale will tempt me to revisit a game, a different platform and a bargain basement price can be a nice excuse to play Resident Evil 4 for the umpteenth time. If a game comes up free on PS+ or Xbox Live, I’ll add it to my library whether I have it on the other system or not. But that’s for free, so… The Nintendo Switch offers the portability factor, so at least there’s always that excuse. Even still, I try not to spend money on games I already own. But recently I broke my own code. And I did it in grotesque fashion. It gave me some real insight into the flaws of the game in question, and into the kind of gamer I have become. Continue reading “Shame On Me, Fooled Twice By Destiny 2”
In January, on my quest to finish more games in 2018, I played through Metroid: Samus Returns on the 3DS and I Am Setsuna on the Nintendo Switch. While they are both throwbacks to the 1990s, the games are not similar. Metroid: Samus Returns is a side-scrolling action-platformer with deep puzzling and exploration. It is technically a re-imagining of the Game Boy’s Metroid II: Return of Samus, but it’s really more of a spiritual successor to the SNES classic, Super Metroid. I Am Setsuna is a top-down turn-based RPG, reminiscent of Square’s SNES era games, with a heavy nod to Chrono Trigger. Despite their incompatible play-styles, in my determination to play them both to the end, I found a deeper understanding of the roadblocks and challenges that games in general are designed to offer. At their best, games force us to struggle, maybe learn, and then reward us with a feeling of accomplishment when we overcome a tough obstacle. At their worst, they provide a sense of frustration that gives way to boredom, ultimately leading to giving up, or simply forgetting to continue. What follows is an examination of why I finish so few games. And I suspect it might not just be me.
I’m going to highlight three characteristics that help us see a game through to its end. First, a game has to give us a sense of progress, whether that’s through a narrative story arc or a series of challenging levels, it’s all the same. We have to be working toward something. Second, a game has to maintain a sense of novelty. I think the downfall of many modern, sprawling open-world games is that we drown in repetitive tasks. At some point, those icons on the word map, whether it’s in Assassins’ Creed, Horizon, or Far Cry, they start to look like chores and do not inspire me to continue playing. It’s a tightrope that developers have to walk, balancing a perceived demand for bigger, longer experiences against the finite list of ‘things to do’ in any given game. And third, a game has to keep a balanced level of challenge. A drastic change in difficulty, whether it’s a punishing difficulty spike or an over-powered character making everything a walk in the park, they both detract from the experience and make me start thinking of other games I’d rather be playing. Continue reading “Until the Credits Roll…”
NieR: Automata is going to have a long tail. The release schedule in 2017 was a chain reaction of hit titles exploding on the scene; RE7, Persona 5, Zelda, Mario, Horizon, Cuphead, etc… Players will be sorting through the rubble of overlooked and passed over titles for some time, and NieR: Automata will be on many a backlog list. It was well received, garnering an 88 on Metacritic. It sold more than 2 million copies worldwide. It is a success by any metric. It was developed by industry powerhouse Platinum Games, published by Square Enix, yet it somehow maintains the quirky cache of an indie title that those ‘in the know’ wink and nod about, across darkened corners of the internet. When a player dares to lament, “I don’t get it,” the Enlightened form a cryptic smile and whisper: “Keep playing, you will.” Yes, NieR: Automata is going have a long tail, and it will prove to be a divisive title, as those who have the patience to discover its beauty argue against those who do not see a reason to keep digging. And neither group will be wrong. Continue reading “NieR: Automata— Unanimously Divisive”
Let’s get the unpleasantries out of the way. For me, and if my Twitter feed is any indication, for millions of others, this was the welcome mat that Bungie seemed to lay at the door of their much anticipated sequel:
This appeared on my screen only after several failed attempts to even launch the application on my Xbox One. Disappointment is an understatement. Of course, my immediate impulse was to vent to the echo chamber that is Twitter. But as I started to craft my scathing indictment of the team responsible for this travesty, my head cooled almost instantly. This release is, I’m sure, a huge undertaking. I have no idea what’s involved, and at that point, Bungie, Activision, et al, had wasted a mere 282 seconds of my time. I felt childish. I adopted a ‘wait and see’ mentality. Sure, I poked that maybe they should have seen the traffic coming, but really, I know that they did, and this was still the result. So I jotted down some thoughts, and some minutes rolled by. I was bummed out. Continue reading “Destiny 2: Homecoming”